Picture was shared on X. (Courtesy: scftadvani)
Is there something Kiara Advani cannot do? We predict not. From preserving us glued to the screens together with her performing chops to the no-makeup appears to be like, the actress does all of it like a complete professional. So, what is the newest? Kiara made heads flip on the Lakme Style Week. The actress turned muse for Falguni Shane Peacock. Kiara slipped right into a tube cocktail costume. Within the video, shared by the actress on Instagram, Kiara is seen ruling the ramp and the way. Her gorgeous quantity featured heavy golden work makes it a must-pick for the festive season. She styled her hair in fancy braids and opted for bronze make-up. In a single phrase – the look was iconic.
Now, check out Kiara Advani’s “post-show feels.”
An image of Kiara Advani with Falguni Shane Peacock from the glitzy evening.
Effectively, this is not the primary time when Kiara Advani has walked the ramp for Falguni Shane Peacock. In July, Kiara made a glamorous look on the ramp for the designer duo. She appeared breathtaking in a pink bralette and a pencil skirt. Sharing the photographs, she wrote, “Felt magical strolling the ramp for the dream duo on the opening present of couture week.
On the work entrance, Kiara Advani was final seen in Satyaprem Ki Katha. The movie was launched on June 29. Kartik Aaryan, Supriya Pathak, and Shikha Talsania.
In his evaluate for NDTV, Saibal Chatterjee stated, “In search of to ship a social message by way of a musical love story, Satyaprem Ki Katha, directed by Sameer Vidwans, makes an essential level however not earlier than it covers itself with an entire lot of froth. Furthermore, it doesn’t say something that Mumbai movies have not articulated in recent times…The movie’s two leads, Kartik Aaryan and Kiara Advani, are known as upon to do many of the heavy lifting whereas supporting actors of the calibre of Supriya Pathak Kapur and Gajraj Rao are saddled with roles which can be riddled with deleterious inconsistencies. The veterans give performances which can be strikingly efficient regardless of the percentages.”