Sumana Kittur: ‘Brief movies create a bridge between the maker and cinema’

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Sumana Kittur
| Picture Credit score: Particular Association

Sumana Kittur doesn’t consider in numbers, however content material. Her physique of labor is a sworn statement to her perception. Having began as an affiliate director and lyricist with Aa Dinagalu, she went on to make her mark as director with movies like Slum Bala, Kallara Sante,  Kiragoorina Gayyaligalu  and Edegarike for which she gained the Karanataka State Award.

The director was on the jury for worldwide brief movies on the not too long ago concluded Bengaluru Worldwide Brief Movie Competition (BISFF). She shared the bench with Competition Director, Alejandro Gonzalez, and critic, Diego Faraone.

Sumana, who was additionally a journalist, talks in regards to the affect of brief movies, the trade’s patriarchal mindset and extra.

Edited excerpts


How has your expertise with BISFF been?


I’ve at all times cherished brief movies and have an enormous respect for brief movie makers. I’ve been referred to as a brief movie ambassador by associates within the movie world. There are filmmakers who end their movie course and need to make movies. Getting an investor on board, nonetheless, is not any baby’s play. So as a substitute of killing their desires, these good abilities inform a visible story in a compressed kind. Brief movies create a bridge between the maker and cinema. If we seems at our movie trade, there are such a lot of administrators who’ve made wonderful brief movies and are actually names to reckon with within the lengthy kind cinema too.

Anand Varadarajan, the mind behind BISFF deserves a shout out. He began with Suchitra and at present has created this wonderful platform for brief movies. Whereas we screened brief movies earlier at choose locations earlier, to have a competition devoted to brief movies accredited by The Academy Of Movement Image Arts & Sciences in Bengaluru, is all because of Anand’s dream. His workforce additionally must be credited for its great organisational expertise.


Are there platforms for brief movies or do individuals have to attend for devoted festivals to view them?


In Karnataka, I really feel we wouldn’t have ample screens to showcase brief movies. In Puducherry, nonetheless, while you watch a movie, both earlier than the primary characteristic or throughout the interval, brief movies are screened. I hope to see this tradition develop in Karnataka too. We should always have extra platforms and screens to advertise brief movies right here too. That’s the means movie viewing can even change within the close to future. Immediately, persons are impatient won’t sit for 3 hours to look at a movie. There’s a development of micro viewers, the place individuals search for movies which can be made in a minute. All they need to know is the theme; nothing extra, nothing much less.


How simple or tough is it to inform a narrative in a minute?


It’s a Herculean process. But, the movies I’ve watched as a jury member have stumped me. Each story, theme and therapy is exclusive. The makers have succeeded in sharing an idea in below 15 minutes. For me it’s like compressing a 2,000-word article right into a 150-word snippet as a author, which is hard too.


Do you miss journalism?


After all! That’s the reason I nonetheless write. In actual fact, when individuals ask me what I do, the primary phrase that involves thoughts is journalist after which a filmmaker.


A streaming platform had a brief movie competition not too long ago. Whereas movies from all around the world had been streamed, there have been none from Karnataka. What do you assume is the rationale for this?


It isn’t like now we have a dearth of expertise. It’s advertising and marketing and selling the place I see a lacuna. Many will not be conscious of those final steps in filmmaking. It’s a pity as these filmmakers put in a variety of effort into their movies utilizing the most effective gear and cameras. We want a powerful group of patrons for brief movies. Only one Sumana speaking won’t make a distinction. Makers, actors and producers from mainstream cinema have to advertise this medium, solely then we will develop collectively. Our stereotypical mindset of considering solely mainstream, full size options has to vary. Additionally, movie advertising and marketing and promotion ought to be taught. Skills ought to know the way they’ll faucet into the huge platforms and assets obtainable on the market. I plan to begin a basis to advertise and showcase brief movies.


Your ideas on Girls in cinema.


We now have many actors, however few ladies enterprise into the technical facets of filmmaking within the Kannada movie trade. A girl is ostracised within the trade, which continues to be patriarchal in its mindset. Even our tales have a good time machismo and a lady is at all times depicted as a weak character or one who believes she is a slave to serve her members of the family. Only a few tales depict a lady as a powerful character and a handful that present a lady combating for her rights. The one one who has portrayed ladies in a strong method, aacording to me, is Siddalingaiah. 

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